San Francisco holds an odd place within the American imaginary. So far as I do know, it’s by no means proclaimed nice inventive centrality or wrestled with the bare ambition of cities like New York or Los Angeles. However nonetheless, the artwork scene right here appears to perpetually disappoint exterior guests, who routinely proclaimed it useless. With the tenth version of the Fog Design+Artwork honest (till 21 January), town’s artwork group is rewriting its narrative beneath the theme, “A Love Letter to San Francisco”.
Each version of Fog opens with a preview gala supporting exhibitions and training programmes on the San Francisco Museum of Fashionable Artwork (SFMoMA). At this 12 months’s social gathering, San Francisco, a metropolis with notably unhealthy style, did its greatest, although I nonetheless observed dozens of black sneakers poking out beneath costume pants. Trying up from the ocean of Sambas and New Balances, I used to be stunned to see an extremely well-dressed John Waters standing by a row of tuxedoed busboys, surveying the scene.
Many native galleries, maybe in a nod to the theme, are showcasing Bay Space artists on the honest this 12 months. Altman Siegel is exhibiting the work of San Rafael-based Zheng Chongbin. The most important work, Black Forests (2021), echoes the 1000’s of acres of California’s woods turned obsidian black by wildfires. However, there’s a recalibrated animism to Chongbin’s work, as if the paper retains the timber’ sensitivity.
Zheng Chongbin, Black Forests, 2021 Courtesy of the artist and Altman Siegel, San Francisco
“There’s a whole lot of potential to do thrilling issues right here,” says Quintessa Matranga, assistant director of Altman Siegel. “There’s really area for extra artists, extra galleries, extra initiatives and extra writers—I do not suppose that is so true in different cities. It nonetheless feels untapped.”
Anthony Meier, a storied Bay Space gallery, is exhibiting two pared-down Etel Adnan work and an envelope on which the late artist had painted a sketch of Mount Tamalpais. The gallery’s stand additionally options notable works by artists Dave Muller and Jesse Schlesinger.
Over at Gladstone’s stand, Anicka Yi’s mesmerising, cocoon-shaped husks entrap unusual, obscured objects that transfer like flies ceaselessly placing a lightweight bulb. Whereas I watch them, the Bay Space’s beloved archivist and professional zine-maker V. Vale and his spouse duck by way of; moments later, a billionaire who made tens of millions on a sport the place gamers swipe fruit in half friends at Yi’s seemingly extra-terrestrial orbs. The sequence is nearly as good a illustration of San Francisco’s bifurcated social panorama as I can think about. Gladstone reported bought a number of of Yi’s kelp for costs between $100,000 and $50,000.
Works by Anicka Yi on show on the Gladstone stand at Fog Design+Artwork Photograph: Nikki Richter
After the San Francisco Arts Institute closed final 12 months, its Fort Mason campus was left empty. Seeing a chance to right the dearth of alternatives for younger artists within the metropolis, Fog launched a brand new invitational sector to incorporate galleries that in any other case wouldn’t have participated, providing area at a lower cost within the artwork faculty’s former footprint. Chris Perez, a member of the Fog Focus steering committee, confused the significance of together with “native galleries that ought to be represented however may not in any other case have the chance”.
One participant in Fog Focus is Et al., a gallery with areas in each the Mission and Chinatown. The stand is a solo presentation of works by Laurie Reid, pairing her work—which function arrays of dilapidated color fields—alongside the primary presentation of her jewelry.
“The San Francisco artwork scene is at its greatest when it trusts artists,” Et al.’s co-director Aaron Harbour says, “but in addition poets, musicians, dancers and performers, each native and from farther afield, to pursue their practices sincerely, at all times wanting outward whereas fostering deep connections right here by way of generosity and collaboration.”
Guests to the 2024 version of the Fog Design+Artwork honest Photograph: Nikki Richter
That sentiment was echoed by visiting galleries like Hauser & Wirth. “The honest’s class and power, and San Francisco’s beautiful historic environment, collectively create such a singular context for partaking with the Bay Space’s group,” says Marc Payot, Hauser & Wirth’s president. Maybe it’s as a result of San Francisco is considerably faraway from the globalised artwork world that its scene retains a way of particularity even when forged inside the overwhelming sameness of artwork gala’s’ white-walled stands. Hauser & Wirth reported greater than a dozen gross sales on opening day, starting from a $950,000 Ed Clark portray to 2 works on paper by Flora Yukhnovich for $22,000 every.
As well as, to the 45 stands in Fog’s essential sector and 9 galleries collaborating in Fog Focus, Inventive Progress Artwork Heart, Creativity Explored and NIAD are co-presenting an exhibition of works by Bay Space artists with disabilities.
The very last thing I noticed in the course of the preview gala on Wednesday (17 January) was Untitled (Human Masks) (2014) by Pierre Huyghe, loaned by the Kramlich Household Basis and on show within the honest’s black field theatre. The haunting video paperwork an deserted sake home close to Fukushima the place a masked determine with lengthy black hair makes an attempt to serve long-gone clients. It’s a really affecting work that evokes a determined, exploited feeling. Its inclusion at Fog disrupts the sense of division between the “artwork world” and the “world”, reminding guests of the facility of artwork.
Fog Design+Artwork, till 21 January, Fort Mason Heart for Arts and Tradition, San Francisco
